ART AND MUSICAL LITERATURE

Art and Musical Literature



Art and Musical Literature

In 1600 a new method of method started to evolve, this pattern of music was later to be called Baroque. Baroque melodies was very different to the melodies before its time such as medieval and early renaissance music and the development of new harmonic and melodic lines supplemented distinction in pace and variety to the compositions giving them a new shape and form. The structure of the melodies also changed, distinct forms such as fugues and cannons developed and distinct instruments were introduced.

Baroque monumental decorating was brought into reality by the Carracci: brothers Annibale Carracci, Agostino Carracci, and cousin Ludovico Carracci. The Carracci directed at a synthesis of vigor and majesty of Michelangelo, the harmony and grace of Raphael, and the hue: Red;">hue of Titian, less through direct imitation of these High Renaissance creative persons than through emulation of their procedure of idealizing environment.

Caravaggio

Arevolutionary, Caravaggio changed the course of European art. Caravaggio became renown for his use of chiaroscuro, his most productive apparatus to aroused the deep recesses of the soul. Chiaroscuro was the use of contrasting lightweightweight and dark colors and shadows.

Gentileschi

Artemisia Gentileschi, student and female child of Orazio Gentileschi, organised her painting around the tumultuous past of her youth. It is clear that the feminine in all of her works is a self-portrait.

Bernini

Gian Lorenzo Bernini's influence on Baroque art, particularly in the latter phases of the method, is unquestionable. Bernini made major works in architecture, sculpture, paintings, and was a dramatist and composer. In detail, he was the form sculptor for all those that pursued him in the chronicled timeline.

Versailles as an example of grand baroque architecture

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