COMPARE BLOOD WEDDING (THE PLAY) AND TROJAN BARBIE

Blood Wedding (the play) and Trojan Barbie (the play) with focus on artistic styles, themes, character clusters, structures, or performance structures.

Compare Blood Wedding (the play) and Trojan Barbie (the play) with focus on artistic styles, themes, character clusters, structures, or performance structures.

After reviewing both the plays Blood Wedding and Trojan Barbie we can find a strk contrast and in certain places a close similarity of situations. Bernarda Alba conveys an array of characteristic characteristics, although it is her stubborn cautious environment that endows the illustration of the oppression of women conceived by equivocal Spanish customs in Lorca's spectacular play, dwelling of Bernarda Alba. The feature of Bernarda becomes acquainted with readers through the method of digressive production as Lorca presents the reader no investigation or exposition considering her. Essentially, Bernarda's eccentric traits are thrust upon the book reader by means of her personal and verbal actions. This can be seen with the case of her notion of superiority to others when she says "The poor are like animals-they seem to be made of different stuff." As the plot progresses, the reader discovers that Bernarda is a static character, one who's personality remains constant throughout the course of the play. Lorca immediately utilizes his ability to build up tension with the anticipated arrival of Bernarda as her servants introduce her as being a "tyrant over everyone around her". Bernarda under the shadow of the church and the tyranny bred from a need to protect the reputation of the family represses her daughters by enforcing an eight_year mourning period. "For eight years of mourning, not a breath of air will get in this house from the street." Bernarda exhibits strong traditional values and uses her autocratic status to instill these values in her five daughters. "That's what happened in my father's house_and in my grandfather's dwelling". Throughout the play it seems that Bernarda is a dictator that is consumed with keeping her daughters in line. (Waltz 2008)

Her controlling nature is prevalent throughout play and is especially seen with regard to her restrictive attitude towards the love lives of her daughters. "For a hundred miles around there's no one good enough to arrive beside them. The men in this town are not of their class." She endows the duty of choosing husbands for her daughters upon herself It is Bernarda's conceited temperament that pervades the house consuming the everyone around her. "My blood won't mingle with the Humanas' while I live! His father was a shepherd." The daughters know and blame this type of supercilious act for their deterioration, "but we rot inside because of what people might say". Bernarda's arrogance is also the cause of her dismissing the daughter's acts of disobedience. Poncia, Bernarda's close maid, states "She's so proud! She herself pulls the blindfold over her eyes", later stating, "But, your children are your children, and now you're blind." Bernarda is merely a sheep, enslaved by the regulations of ...