Domus Aurea Wall Paintings

Domus Aurea Wall Paintings

Introduction

The construction of the Domus Aurea (Golden House) has been considered the most extravagant company in the history of Rome. When two thirds of the city was burnt by the great fire of 64, Emperor Nero used the "free" space to build his new palace. Built in no time, Nero committed suicide in 68 but before he could fully enjoy their stay, the huge golden dome that gave name was just one of many bizarre elements of its decoration was gold everywhere, roofs estocados with semi-precious stones and ivory finials, finished precious mosaics, pools and fountains everywhere, an artificial lake . Most walls were covered with fresh, trying different themes for each group of rooms, the rooms, finished in highly polished white marble, with forms that play with light and concentrated or dispersed at the whim of the architects. There were many pools in soils and water sources that were ringing in every aisle. Nero showed great interest in every little detail of the project, according to the Annals of Tacitus, and supervised at all times to the two main architects of the complex, Severus and Celer. In short, the Domus Aurea radiated a luxury never seen before.

Domus Aurea and Renaissance

With respect to Domus Aurea, the first four categories can be further subdivided into panel painting, frescoes, oil painting, portraits, genre scenes, sculpture in the round (ranging from monumental to miniature), reliefs, altarpieces, coins, drawings, prints, illuminated manuscripts, printed books, tapestries, jewelry, works in bronze, stone, ivory, and wood, and domestic objects such as dinnerware, clocks, and marriage chests (cassoni). Architecture in the Renaissance includes sacred buildings cathedrals, monasteries, churches, and chapels; civic structures town halls (often called palazzi in Italy), piazzas, buildings with courts and prisons, loggias, and bridges; and other secular and domestic architecture villas, personal houses (also known as palazzi) gardens, and grottoes . The Renaissance began as an Italian phenomenon, in which humanists and artists believed they were affecting a “rebirth” of classical GrecoRoman art and life. Thus, many of the art forms (e.g., monumental sculpture) are related to classical counterparts. As the Renaissance spread throughout the Italian peninsula and Europe, it was affected by differing governments and socio religious movements, local aesthetic traditions, and available material, as well as new technologies. The Italian Renaissance in the northern courts of Mantua and Milan, for instance, differed in many ways from that of the republics of central Italy. The Renaissance is the cultural and artistic movement that began in Italy in the fifteenth century that directs its eyes to the classical Roman and mans at the center of things, once the medieval the centric tradition.

No wonder it is in Italy where this process occurs as the impressive legacy of the old Roman Empire was present even at the height of medieval Italy and the world was never fully detach, as demonstrated, even its distinctive Romanesque art. The transfer of culture and art from the Renaissance to the rest of Europe ...