Le nozze di Figaro: Characters Comparison

Le nozze di Figaro : Characters Comparison

Introduction

After three grave operas of Mozart and Haydn sets up a composer and leader Christoph Hagel for the initial occasion an eccentric material in the Bode Museum: The Marriage of Figaro. The piece is a pleasantry of societal: every person is in confederacy with one and all, each person has something in his hand in opposition to everyone, and one and all make everyone a spanner in the workings. Not anything works. Societal fundamentals of infringement into sections, individual convictions break up into thin air; the souls have only one stop: Mozart's music. In the castle of Count Almaviva, it goes haywire. Instead of taking care of his young, his recently wedded wife, the dear Lord descends behind her maid Susanna. Susanna, however, wants to marry Figaro, the valet. But not only the Count's feeling adventurous - seem all the characters in The Marriage of Figaro in a sexual state of emergency are too.

The great day, or The Marriage of Figaro from the year 1778 is a play in five acts by Pierre Augustin Caron de Beaumarchais that as a template for the opera " The Marriage of Figaro "by Wolfgang Amadeus Mozart was. It was after years of censorship on 27 will be premiered in April 1784th Previously it was only seen in private events. Beaumarchais used in this piece, the main characters from The Barber of Seville, as well as its sequel, it does. The play depicts the day of the marriage of Figaro, the servant of Count Almaviva, and Susanna, the maid of the Countess.

Discussion

Sketch of Figaro

Figaro's basically the only one with the new situation (the revolution) can handle. He knows his craft and knows what he has to offer people in order to win her for himself. So will be quite a success and the business alone, because he knows what he has to deal with people - he simply tells them that what they want to hear. Figaro can judge his fellow man well and responding to them in the correct manner. However, since he is so busy with other people, he loses his wife and their needs and desires of the eyes.

Sketch of Count Almaviva

The count is not at all deal with the new situation. He does not know how to live modestly and he will not try. It is also for the reason that he financially from the last whole whistles and starts to cheat, to at least have something to live. It is notice that how the count is overwhelmed and that he cannot help himself, he is too proud, someone (Figaro) to ask for help.

Comments on characters

The ambiguous drawing of Count Almaviva as quite unsouveraner, with Figaro, Susanna and his countess to his (home) power fighting and already some elderly bon vivant, is obvious. The central theme that gives the history of the stimulus that is just prime notices (the right to the first night), which held ...