LIVE MUSIC CONCERT

Live Music Concert

Introduction:

Similarities and differences between language and music processing are considered from an evolutionary and cognitive perspective ( Rigler 2007). Language and music cannot be considered separate companies; they must be decomposed into different component operations or levels of processing. Interpretation is important for music and language, but in different ways. To interpret language means: to understand language. To interpret music means: to make music. Musical interpretation of a performance which, as synthesis, retains the similarity with the language, while the destruction of each specific similarities ( Crystal 1997). That's why the idea of interpretation is not accidental attribute of music, but part of it. To play the music properly, first of all to speak their language correctly.

This requires simulating itself, rather than decoding process. Music only reveals itself in the imitative practice, which presumably can occur silently in the mind, by analogy with a low reading, he never gives in consideration of which will interpret it, regardless of performance. If we look for comparable work in the languages of intentions, it must be an act of deciphering the text, rather than deciphering its meaning. In contrast to the philosophy and science, which impart knowledge, elements of art, which came together for the purpose of knowledge is never complete solutions. But this music is really no decisive language?

It's a different intention of the most pressing, it seems, the statement "This is how it is" decisive, even the judges confirm that was not explicitly stated( Burkholoder2007). In the Supreme moments of great music, and they are often the most violent moments - one copy of a summary in the beginning of the first part of the Ninth Symphony - is the intention of becoming eloquent unique because of its power of context. Its echo can be heard in parodied form, trivial pieces of music. Musical form in which the totality of musical context acquires authenticity, cannot really be separated from efforts to instill a gesture of the decision on non-critical environment. Sometimes it works so well that the art on the verge of giving way to attack the dominant impulse of logic.

A miner was leavin' his home for his workHe heard his little child screamHe went to the side of his little girl's bedOh, daddy, I've had such a dreamOh, daddy my daddy, oh don't go awayFor dreams have so often come trueOh, ...