POST-CLASSICAL HOLLYWOOD CINEMA

Post-classical Hollywood Cinema

Post-classical Hollywood Cinema

Introduction

When considering post-classical American cinema in relation to our argument we must first discover how this era in film history developed. Looking at its relationship to that of the classical Hollywood tradition we can see that post-classical American cinema emerged through a set of aesthetic norms. It should explore what this film is developed, where in the first place in the history of our relations with the argument, according to the American film classic. A number of classic American cinema in the post-aesthetic standards, we can see that the tradition of classic Hollywood, goes to the relationship. Continuously until 1960, and this is a particular style of American film studio, is relatively unchanged, the principles of the style and is presented annually by the Gender Studies dominates recommended. It is said that the "Hollywood is the image quality is the main concern is a basic element in the form of film, a story, individual innovation, strict limits on the rules that the film should be clear and understandable words, and the concepts of decency, public transport Integration say the classic characteristics of an art form shows # Hollywood movie for the "class was seen and the nation is more than a basic emotional speech, respect for tradition, the relationship is not on the recent U.S. cinema.

Through the work of Jan Mukarovsky we are able to see how and why we can define Classical Hollywood Cinema as an aesthetic system, giving rise to the notion that the Hollywood style has functioned as a set of norms. The presence of these primitive aesthetics of the film is not yet long enough for a certain set of rules and how to dominate in 1960, too late, the American film production in Hollywood shows are structured construction. Mukarovský "classicism" that we stressed in the direction of adjustment and stabilization periods tend to lean.

Now we need to get the transition between the classic American film, which is now today by a failure of some postmodern critics of the contracts in a number of radical changes in American cinema, "the show, marking described as post-classical American cinema called classic tale” Fredric Jameson, as the logic of late capitalism as a result of the progressive interpret these changes as the post-modern critics, the production shift to a knowledge economy on the increasing control of multinational corporations is concentrated. Background

The development of the classical Hollywood cinema has gone through two major phases. Kristina and David for a while thinking about a project in the style of Hollywood movie. Douglas Gomery scenario and write a paper on the principles of division of labor had a seminar with Janet took up his pre-doctoral comprehensive exams in the spring of 1979. This summer will see the three of us went to Washington to the film and research.

Janet is the research and writing of the calendar year 1980 and spent the rest of 1979 at home in ...