The production of dramas requires extensive planning on all aspects that range from scriptwriting to the presence of technical duties that need to be addressed on an immediate basis. Although, dramas are most often judged on the quality of the script and their application but the technical aspects of drama production must not be ignored. We would undertake a comprehensive research and analysis on the process of drama production and the creative elements that are necessary for the success of our drama (Anon, 2012).
The drama being discussed such as the confession of demdike discusses at length the concepts and creative elements associated with witchcraft. Our story will revolve around the role of witches and their acts that contribute to the success of a fiction related story. Our drama will not only cater to the needs of the specialized audience but will also be a great source of entertainment for non specialized audience (The Confession of Demdike, 1632).
The script being enacted will revolve around a simplistic story that can be comprehended by non art loving people as well. The aim for enacting our drama would be to create a sense of artistic awareness among the masses that would significantly change their approach towards their respective lives. By presenting a simplified version of an artistic play, we would take the audience on a rollercoaster ride of creativity and fiction (The Confession of Demdike, 1632).
Through a successful application of this drama, there would be an increase in the overall number of art lovers in the society. On the other hand, people would be attracted towards the intricacies associated with creativity and learn new ways of leading their lives. They would be able to apply the artistic skills to other fields and thus can master other fields with the use of creativity. We would incorporate a script that would directly relate with the audience and thus the audience would be greatly involved and would relate with the characters in an appropriate manner (The Confession of Demdike, 1632).
Background
There is a huge role of witchcraft and superstitions in interactive stories. People and children tend to relate with stories that have a witchcraft agenda on their script. It has been observed that many successful scripts have revolved around stories of witchcraft and confession. The role of devilish conspiracies has been immense in successful stories. Thus, we would look to incorporate both the sides (Garrett, 2013).
One side will look at the devilish conspiracies and the practices employed by witches. The other side will look at the concept of positivity and creativity as tools to increase the artistic awareness among the masses. Since stories involving witchcraft have a fictitious element, thus we would look to portray our story with efficient use of fiction (Garrett, 2013).
Without the presence of witches or devilish characters, the play would seem to be unattractive and monotonous. With the presence of witches and their devilish characters, there is a high role ...