Conflicts Involved Within The American Films

American History X

American History X is in no way a comprehensive look at racism, hatred, or inner city violence. Instead, it examines the various ways these elements tear at the fabric of a family. The film emphasizes that actions have consequences, and that attaining redemption isn't as easy as saying "I'm sorry." The price for a change of heart can be, and often is, brutal. The final sequence in the film is shocking not because it's unexpected, but because it illustrates this truth.

The chief weakness in American History X is that we're presented with only one truly three-dimensional character. As portrayed by Edward Norton (who gained 30 pounds for the role) in one of the year's best performances, Derek is a fully-developed individual. We see the subtle elements that prime Derek for racist attitudes, follow the events that push him over the edge, then watch the trajectory of his life as his hatred spirals out of control before being reined in. Unfortunately, no one else in the movie comes close to being as real as Derek.

The director is Tony Kaye, who has made no secret of his displeasure with the way New Line Cinema chose to edit the film (he made a very public threat to have his name removed from the credits). Some have speculated that Kaye's actions are a publicity stunt; regardless, he is still listed as both director and cinematographer. Kaye imbues American History X with a relentlessly ominous tone, especially during the final half hour, when we're expecting something grim to occur. (Prejean, 26)

Dead Poets Society

Dead Poets Society is a film that is intended to inspire, provoke thought, and bring a combination of humor and drama to the audience while pushing a non-conformist ideology at the core of the story. ...