Culture and Identity via Post-colonialism Context

Introduction

The major part of every individual's persona takes its form in the family.  In other phrases, family allocations each one-by-one the most significant part of communal identity. This method is finished by educating young children information about their chronicled backdrop, heritage standards, behaviors, culture, customs, and dialect of the ethnic or heritage origin. However, a inquiry that arrives to a head is that what if parents who are the prime care givers reside their own life in question and disarray about their own identity? This mentions to the immigrant families being revealed to a new culture. Some of them assimilate in to the new heritage, and some integrate. However, assimilation and integration have contradictory influences on their life. If they assimilate, at some issue in their life, they would seem rootless. If they try to integrate, there is habitually the risk of not being acknowledged in the new heritage, in especially, post-colonial heritage who are cynical in environment about immigrants. The post-colonial heritage close their doorways to heritage diversity. Once they were adept to colonize other countries, their doorways were open to everybody because they required bargain labor. Nevertheless, when the colonization's life came to an end, Commonwealth immigration proceed put a large-scale halt signal on the entry barrier of the well liked so-called “mother” of countries, Britain. Consequently, feeling turned down and unwelcomed directed to prejudice, wrath, fundamentalism, devout extremism, persona disarray, and disillusionment, and this is how twentieth postcolonial Britain is shaped. These considerably undeniable details have been portrait in a very sarcastically comical pitch in “White Teeth “by Zadie Smith. 

“White Teeth” is the bleak voice of the delusional disillusioned mail conflict migrants, and belonging-to-nowhere post-colonial lifetime of migrants dwelling in post-colonial Britain's society. “White teeth” is a acrid article of the dark world of postcolonial ruthlessness, and rootlessness. In this publication, characters' persona is recognised in periods of their heritage, chronicled, and devout backgrounds.  

Smith conceives individual characteristics labouring with persona disarray in the heritage heterogenic British society. Smith's individual characteristics, what Bhabha believes,  threat or menace to the administration in their revelation of colonial disquiet and anti colonial resistance.   The individual characteristics pertains to two distinct generational eras:  the lifetime of world conflict and colonizing, and second lifetime, or in a better phrase, the post-colonial London lifetime who are Asian-British born and interracial Jamaican British.

The individual characteristics like Irie, Samad Miah, and Millat are all pain from perplexity of their communal persona, and heritage bewilderment. In this section, by investigating the persona disarray of these individual characteristics, I will analyze the post-colonial British persona and its pedagogical resonance in post-colonial English Literature.      

Irie is a self-dissatisfied young female born to a Jamaican mother and a British father. She is obsessed with “an English change” or transformation to “Britishness”.  Her self-discontentment is depicted through her try to change her appearance. She examines into reflector and sees no reflection of Britishness. No directly hair. No white skin.  “There was England, a gigantic ...