GLOBALIZATION IN BRAZILIAN FILM

City Of Men

City of Men

Introduction

City of Men(Cidade dos Homens) Directed by Paulo Morelli

Produced by Guel Arraes,Andrea Barata Ribeiro,Bel Berlinck,Fernando Meirelles,Paulo Morelli

Written by Elena SoarezPaulo Morelli

Starring Douglas Silva,Darlan Cunha,Jonathan Haagensen,Rodrigo dos Santos

Music by Antonio Pinto Editing by Daniel Rezende

Distributed by Miramax Films (USA),Buena Vista International,20th Century Fox (Brazil)

Some mate Fernando Meirelles, AOS inflated (and lapped-up) built in 2002 for lack drama City of Men, Paulo Morelli's City of men restores the film, with some hypnotic OSA sadokineticism same thing, if more calm and bold. By accentuating the spirit and humanity of those components attached to despair rather than mitigating fetishization of aggression around them, City of Men serves as a correction of his late predecessor.The concerns follow two young people from the favelas of Rio, Ace more involved and Wallace (Cunha and Silva, both amateur actors who also emerged in Meirelles, the film SOA), faced with a conflict of lawn drug gangs who forced them to reconcile with the past and accept the nascent adulthood.

A rift is between them when Wallace found his long absent father and Ace begins to take more comfort in the gangster life as his wife (Monteiro) and his son. Meanwhile, managers of gangs (Jonathan Haagensen, Eduardo BR) hunt that benefits a dangerous game, needless to monarch of the high ground that makes no real winner. This reductionism ironic this City of Men a demonstration lesson in posture-morons shooting the previous film, regardless of the detail that Morelli succumbs rarely serious and sentimentality, and misleads narrative purpose in the last act.Splintered off from Fernando Meirelles denied the city of Men, the city Paulo Morelli men, continuing the sequence famous Sundance TV channel, is like a ghetto with a cast of gangsters like Dickens, veterans, and day-use and SOS as they proceed with the 12 laps on a daily normal life in the slums of Rio de Janeiro. But where Men used an eye-centered to perceive pervasive exploration of aggression in the ghetto of products for men, for direct firing and high hopes.Morelli, a veteran of the TV footage, the article extends lives of two young men who make their homes in the village known as Dead End Hill. One, a minor father called Ace (Darlan Cunha), has a difficulty of giving an alert to her child while trying to excise further its sins of youth.(Andrade,1995)

The other, a person motorcycle taxi to go by car called Wallace (Douglas Silva), likes to find his father before he gets his ID card business for its 18th anniversary. These tank tops for minors, in particular Ace, are at the center of a dispute between gangs territory so charming brat while Midnight (Jonathan Haagensen) and his right arm Fasto (Eduardo BR).

Trying to travel the same signal as Men, the film has a passing interest in all individual characteristics, he brushes cons, from Heraldo Wallace burst ex-con (Rodrigo dos Santos) to Ace's wife ( Camila Monteiro) to wannabe-gangster Caju (Pedro ...