Human Desires and Power through the Arts Mirror and Blend of Personified Art

by

ACKNOWLEDGEMENT

I would initially consider to convey my whole hearted appreciation to the person who had supervised me throughout this study. Next, I would also take this opportunity to give thanks to all those people, who had thouroughly supported me, throughout the passage of conducting this study, which include all my colleagues, friends, along with my family members. Conducting this study, would not have been possible without the kind of support all these individuals have provided me with.

DECLARATION

I [type your full first names & surname here], declare that his study and the entire material that has been presented in this study is an individual effort, without acquiring any kind of aid. Furhtermore, I also declare that its my personal effort and that this study has not been published before. Moreover, it contains elements of my own thought and opinion on this particular area of study and in no way, represents any sort of idea of my University.

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ABSTRACT

Beauty is not defined, it is recognized. It is a quality, a concept, a feeling, which is characterized by its relativity: there is no universal standard even though there are approaches to all, close to the perfection that exists only as an ideal. What emerged in painting, sculpture, architecture, and design was distinguished by the use of materials, techniques and forms generating meanings that departed, often radically, from previous artistic traditions. Art is a trigger for the mechanism of remembering. Artistic works are landmarks in the topography of collective memory. The purpose of this study is to explore the concept of human desires and power through the arts mirror and blend of personified art.

TABLE OF CONTENT

ACKNOWLEDGEMENTII

DECLARATIONIII

ABSTRACTIV

CHAPTER 1: INTRODUCTION1

Background of the Study1

Significance of the Study2

Research Aims and Objectives3

Research Questions3

CHAPTER 2: LITERATURE REVIEW4

Power and influence of human beauty4

Beauty and society5

Human emotions and personification in Art7

Human emotions through the Personified Art9

Media and Art: Human beauty12

CHAPTER 3: METHODOLOGY13

CHAPTER 4: DISCUSSION AND ANALYSIS15

Human Desires and Power through Arts Mirror and Blend of Personified Art15

Human desires, arts and judgment17

CHAPTER 5: CONCLUSIONS20

REFERENCES23

APPENDIX27

CHAPTER 1: INTRODUCTION

Background of the Study

Aesthetics scholars and philosophers have not yet agreed on the definition of beauty. Many scholars believe that beauty is what is pleasing to the senses and, therefore, gives pleasure, but not all pleasure because we have to be beautiful. Beauty is not defined, it is recognized. It is a quality, a concept, a feeling, which is characterized by its relativity: there is no universal standard even though there are approaches to all, close to the perfection that exists only as an ideal. It has been long said that beauty lies in the eye of the beholder and it varies from culture to culture. Our perception of physical beauty is based on closely others features attracts us. The person who is characterized as “beautiful” is based on the contribution of inner beauty which includes various factors, which include personality, grace, politeness, integrity, charisma and elegance and outer beauty (physical attractiveness) which includes physical ...