INTERPRETATION OF MOVIES

How to Interpret Movies?



How to Interpret Movies?

The most basic level, a genre can be defined as a class or type. When applied to a film, the concept becomes more complex. genre films are considered "ordinary" in the movie, modestly with a slight modification of an old story. Dependence on genre films Studios embodies state of the industry to try to standardize its products, while at the same time making products will sell better with a certain degree of specificity. Some studios, directors and stars attached to certain types of films.

Diligence

American Film Institute

In all of carriage (1939) with John Wayne and Claire Trevor

John Ford and John Wayne, for example, is linked to the West, while MGM, the now famous Pro products (led by composer / lyricist Arthur Freed), excelled in musicals. Regarding industry, genre films - particularly during the heyday of 1930-48 - is the compromise between repetition and variation in film.

While the studios lose classifications commonly used material, such formal designations as the gangster melodrama or have been applied retroactively by scholars and historians. It was not until 1970 that the characteristics of certain genres actually began on the map, mainly because academics are more absorbed in the film art connection establishment and localization of the authors - a term used by talented administrator " wrote "artistic films. So while everyone may have an innate understanding of what a Western delivered in 1935, the exact nature of the genre is officially defined much later.

Identification of a kind style

The isolation of a group of films and to designate this kind of a conundrum. As researcher Andrew Tudor wrote in his book, The Theory of Cinema (London: Secker & Warburg / British Film Institute, 1974):

To take a genre such as "Western" and analyze the list of its main features, is evading the question we must first isolate the body of films that are "Westerns." But they are isolated based on their merits principle ", which can only be discovered by the movies themselves after they were isolated.

This problem of genre classification, notwithstanding, at least three approaches to study the kinds of movies.

Thinking Point

What are some factors to consider when classifying a movie?

Can be explored, each giving an overview of how different types are classified and what it means to their popularity. None of the three broad approaches to such categorization is mutually exclusive, and perhaps the ideal film genre study tries to use all three.

The first approach, which finds its roots in structuralism, involves posting a kind of iconography (recurring visual icons), stereotypical characters, themes and patterns typical central narrative. In other words, a taxonomy of a particular type could not be established.

Another strategy is to find genera with more care in their historical and cultural context. He asks a slightly different set of questions about how a kind reached the popularity of the public and to analyze the impact this has had on the production studio: What is the feedback mechanism between the output of a production studio ...