Society is often the curator of ideals, convictions, and anticipations amidst a huge number of unquestioning conformist individuals.
In The Bell Jar the feature who arrives to symbolize the antagonist, humanity, is Buddy Willard. By the measures of humanity, Buddy is almost flawless. Handsome and athletic, he attends place of adoration, loves his parents, flourishes in school, and investigations to become a doctor. Esther appreciates Buddy's beside perfection, and admires him for a long time from afar. But one time she gets to understand him, she sees his flaws.
In what society deems natural demeanour amidst men, Buddy expends a summer dozing with a server while going out with Esther, and does not acknowledge for his behavior. She outlooks this as another proceed of betrayal by society for it's apparent it locations a twice benchmark on men and women. Buddy Willard most likely has the right to doze with who ever he desires, while she should stay trusted to him in alignment to be make a good wife. Buddy furthermore criticizes Esther for revising all the time, and composing poetry. He disregards all of that as "pieces of dust." Buddy Willard actions as the messenger for societal conferences, and he is seeking to enforce them upon Esther.
Society dictates a firm set of guidelines of which no one is to project from, or they risk being marked as communal outcasts. These unwritten communal regulations sway every lone one-by-one, and often confrontation with one's own convictions especially on the issue of sex, and sex-role stereotyping. Such a condemnation is apparent in the case of J.D. Salinger's The Catcher in the Rye, and Sylvia Plath's The Ball Jar. Both of the protagonists in these narratives comprise a basic labour by adolescents to obey with their respective gender roles(Frances, p. xii).
In the case of Holden Caulfield, the narrator of The Catcher in the Rye, his excursion into adulthood needs him to accept his function in society as a "typical" man - a domineering manipulative force. In Holden's outlook, this entails he should lost himself of all innocence, and adopt his sexuality. This nearly parallels the outlooks of the protagonist Esther Greenwood in The Bell Jar, as she declines the idealized likeness of the customary feminine and often compares herself to a bell in a bell jar, where she is suffocated by societal stresses, and she herself is feeble and voiceless. Both individual characteristics depict these strong sentiments through their anti-establishment and rebellious environment, departing them to face the penalties of denying "society's order" in a psychiatric organisation because of their denial to conform to their respective gender stereotypes(Frances, p. xii).
Both narrators articulate their rebellions to their gender stereotypes through the most conspicuous entails possible- sex. "If you desire to understand the reality, I'm a virgin. I actually am. I've had rather a couple of possibilities to misplace my virginity and all, but I've not ever got round to it yet." (Salinger 92) Holden discloses his sexy innocence by blurting out ...