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modern genre hybridity, an integral characteristic of New Hollywood. As seminal genre theorist Steve Neale notes, “New Hollywood can be distinguished from the old by the hybridity of its genres and films… this hybridity is governed by the m...
crime, experience the rush that comes from breaking the law, and slip back safely into their everyday lives when the lights go up. The very first feature film, The Great Train Robbery (1903), thrilled viewers with its bandits, murders, chas...
American Film Musical Changed since Its Golden Age In The 1960’s? Introduction Hollywood has fascinated people for decades. It can be described as a place that makes magical things happen right before one’s eyes. It is a place where a viewe...
New Wave, but its films focused mainly on the middle class, except for films such as Agnes Varda's La Pointe Comte (1955), about a marriage in a small fishing village, and Claude Chabrol's The Good Woman (1960), about Parisian shopgirls (De...
defining features of social realism (in a British context) as ‘a high degree of verisimilitude, placing emphasis on ensemble casts in social situations which suggest a direct link between person and place,’ films etc. Introduction Samantha ...
Ozploitation and Australian Paracinema Since the 1990s, this genre has also received attention from academic circles, where it is sometimes called paracinema. In recent years the documentary Not Quite Hollywood (2008) has brought Australia’...
studio system in the late 1940s. Trailers for films made in the 1950s and 1960s evidence a confusion about how to bring audiences into the theaters, as new techniques and formulae were tried. By the end of World War II, an array of legal, t...