Developed in the phase of the industrialized and societal upheavals of the 19th and 20th centuries, movies appeared early mediums of inexpensive leisure for many people who were not capable to meet the expense of entertainment activity. In addition, to present idealize adaptations of real story, these movie pictures also gained importance to reveal the ideals and dreams of individuals. In that manner, cinema was important not just as a commercial driver, but as a strong new forum that both displayed and affected social culture (Stempleski and Barry 2001). Moreover, it was a medium for spectators to show themselves into a sphere of emotions and reminiscence that carried them ahead of the boring routine of their life.
Adaptation of book to file divides views and opinions. People in the modern era enjoy seeing the iconic actors and stories brought to them on a big screen. This approach honors the original text, characters and story rather then imagining them while reading a novel. People feel strong that adaptation lives up to the original text and makes audience to actually see it on a big screen. I believe that best films are those that are adapted from novel stories. This paper will present arguments to support the topic in a convincing manner. Examples of best movies that were based on novels will also be given in the paper to further the debate.
Best films are adapted from novels
In the early half of the year 1990, advent of cinema rapidly directed towards a link between movie pictures and work of fiction (novel). The union of both medium becoming more and more significant in the early half of the year 1930, an era that has been referred to as the classical cinematic phase. This era has observed the adaptation of a number of significant classical works of literary devices to showcase best movies in the Hollywood. Some famous examples are Anna Karenina, Jane Eyre, and Wuthering Heights. Even though, the relation among movie pictures and work of literature has been advantageous to a great extent, often bringing in more and more acknowledgement for novels that were not so popular before. Critical account of this union between movies and novels has often concentrated on the negative points of these movies and interpretive partnering. Over time, the link between literature and film making has been intense and maintained revival, but debate carries on among critics and viewers concerning the reliability of movie versions from the text materials of novel stories (Ferrell, 2000).
Considering the tie-in relation between movie and works of literature (novel), reviewers have observed the worth and drawback of these means. The main position of debate amongst researchers is the capability of the novel text to communicate or express many layers of meaning and perception, on the contrary to the general linear series of proceedings showed in the movie. In reality, some people imagine that due to the sharp intensity and ...