Ecstasy Of St. Theresa, Bernini Vs. Swing, Fragonard

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Ecstasy of St. Theresa, Bernini vs. Swing, Fragonard


This research papers deals with the comparison and contrasting of Ecstasy of St. Theresa, Bernini vs. Swing, Fragonard. It discusses Cultural context of both artworks/ period style (politics, society, religion, etc.) Stylistic characteristics of both the artworks style can be seen. When discussing culture and style your essay should address how the cultural context informs the stylistic characteristics of that period. You should also incorporate art historical vocabulary from the modules when discussing stylistic characteristics, function and possible meaning of artworks, similarities, differences between the two. (Marder P.17)

The ecstasy of St. Theresa (alternatively St Teresa in ecstasy or Transver-beration Santa Teresa) is the central group of white marble sculpture housed in a temple high in the Cornaro Chapel, Santa Maria della Vittoria in Rome. It was designed and completed by Gian Lorenzo Bernini, major sculptor of his day who also designed the configuration of the marble chapel, stucco and paint. It is generally considered one of the Roman Baroque sculptures high. The painting depicts a young man hiding in the bushes, looking at a woman on a swing being pushed by her husband. Her husband is hiding in the shadows, as it has no knowledge of the matter. (Baldinucci P.12)

Thesis statement

The painting depicts the human sexuality or even the senses cannot have the primacy. The mutual surprise move that strikes us with such force that tries to be sensational.

Comparison and contrast

The whole was overseen and completed by Bernini mature during the papacy of Innocent X Pamphili When Innocent came to the papal throne, he shunned the art services Bernini, the sculptor had been the favourite artist of the Barberini pope before and libertine. Without papal patronage, services Bernini study were therefore available to a customer, such as the Venetian Cardinal Federico Cornaro. Cornaro had chosen the church so far without complications of the Discalced Carmelites for his funerary chapel. The site selected for the left transept chapel which had previously maintained an image of St. Paul in Ecstasy, which was replaced by the dramatization of a religious experience Bernini been linked by the first Discalced Carmelite saint who had recently was canonized in 1622 was completed in 1652 by the then Prince sum of 12,000 crowns. (McPhee P.17)

Where as in comparison the Swing is the masterpiece of Jean-Honoré Fragonard Rococo s most famous piece painted in 1766. The most important reason to enjoy this painting is because there is some kind of storyline or drama presentation here. Painting is led by Barton Saint-Julien and his lover, that swings on a vine loop played with a tree and co-starring an elderly gentleman who is back in the shadows as if not part of this event These two lovers are sharing. It shows lying in the bushes around the grass, in fear of her lover dangling above him. She seems to be fluttering his feet as the wings of a butterfly and then quietly slips one of his shoes peach decorated simply trying to retrieve ...
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